In 1971, the cartoonist Walt Kelly, playing on Oliver Hazard Perry’s famous War of 1812 words, had his Pogo proclaim, “We have met the enemy and he is us.”  And so it goes for cultural institutions these days, such as historic sites and universities.  Governing boards, whether known as “Trustees” or “Directors” or “Visitors” or another name, are supposed to be the safeguards of the legacies of such places and the defenders of those who preserve and promote them.  But more often than not, in my experience, they do more harm than good, so poorly do board members understand their actual roles and responsibilities.  Consequently, presidents or senior directors of cultural resources often find themselves in conflict with uninformed, even uninterested, board members and spend more time managing them—in attempting to get them to work for, rather than against, the welfare of the institution—than almost anything else.  And that’s if the director happens to be someone who wants to do more than just keep his or her job, which generally means silently suffering through a problem board’s latest wrongheaded administrative, financial, interpretative, or [insert almost any other category here] whim, so long as paychecks continue to clear.

I’m not writing of matters of minor import.  Take a look at what’s happening right now at Sweet Briar College, for example.  Its board hired a president who, within a year, announced that the school would close at the end of the current term because of supposedly insurmountable financial difficulties.  Rarely has the ignorance, if not outright malevolence, of a board in failing to fulfill its proper charge been so clearly and publicly displayed, as the president could not have proceeded, or perhaps even been hired, without the board members acting as buzzkills-in-chief in the prospective closure.  So, just like that, with breathtaking temerity, a splendid college that has done a terrific job of educating young women in Virginia for more than a century was sentenced to death, seemingly without appeal.  Of course, such a myopic and dramatic step reveals one of the more pernicious characteristics of problem boards: The inherent belief, especially amongst long-term board members, that l’institution c’est moi.  The notion that they are the institution runs strong in such boards, allowing them to feed their egos as easily as they disregard their responsibilities and ignore the basic fact that the best of places, like Sweet Briar, do have the right of appeal in the form of other entrenched, committed, and powerful stakeholders, whether they be students, staff, faculty, alumni, donors, or members, whom can and will take matters into their own hands.  The Save Sweet Briar campaign will, I trust, become a cautionary tale for problem boards everywhere. (Note: I’ve financially contributed to #SaveSweetBriar and encourage anyone who cares about higher education for women to do so, too.  Click here to make a pledge.)

Lest you think that Sweet Briar’s case is exceptional, turn your attention to other examples, such  as the University of Virginia’s board’s failed attempt to oust president Theresa Sullivan several years ago or, much more recently, to upstate New York, where another nifty little school, the College of St. Rose in Albany, is suffering through a death by at least 40, if not 1000, cuts — different in degree from Sweet Briar’s troubles, perhaps, but not in kind.  Just this week, a college president in the job for less than a year announced a major retrenchment because of the institution’s financial difficulties.  Sound familiar?  At St. Rose, 40 jobs are to be eliminated and health care coverage sliced for all employees.  The president claims that the steps, taken with the board’s nemine contradicente support, are necessary for financial reasons caused by the fact that, in a striking admission, “we have just not been attentive.”  Um, to employ the punchline of an old joke about the Lone Ranger, “What do you mean we, Kemosabe?”  If we take someone whom has been on the job only 11 months at her word, that means that the board, until recently, remained entirely ignorant of the budgetary difficulties facing the school and the new president was hired either without knowing the extent of the situation (a possibility) or with an express mandate to make cuts that a suddenly attentive board thinks are required (a probability).  It appears that, in attempting to compete in the crowded market of higher education, St. Rose quickly expanded (one presumes, also with the full support of the same board), but did so in a way that was not sustainable, necessitating the subsequent budget cuts.  Either way, as with Sweet Briar, the failure lies not with the administrator, but rests at the collective feet of a problem board, ignorant of its proper responsibilities.

The issue is not limited to colleges, of course.  Historical and other cultural organizations are hardly immune to the disease.  The famous example of the Barnes Foundation disaster should keep any cultural administrator on his or her toes.  Keep in mind that, for many current and prospective board members, being on such boards carries with it social cachet in certain circles and is therefore coveted for that very reason.  Forget that good board governance actually requires members who understand the real work that a board exists to do, from fundraising (including writing their own checks) to strategic planning, and contains more than a handful of people who are willing to approach the commitment in a thoughtful and productive way.  Those board members who see their position as valuable primarily for social and professional networking advantage represent, sadly, many of those of my acquaintance at some of the most — and more than a few of the least — prominent cultural institutions in the country.  They show up to quarterly meetings, are invariably treated like visiting royalty, and just as invariably kept as far away from the reality of the institution as they care to be, while often fed carefully crafted presentations of the institution’s situation, along with the canapés and Chardonnay.  Rarely do they truly engage with the front-line staff.  I have been part of more than one cultural organization, in fact, the boards of which had never even met the senior staff, let alone those carrying out the organization’s daily mission with guests or students.  The result is a sort of latchkey institution, left alone, without oversight or guidance from those whom are legally responsible for maintaining its legacy.  And we wonder why they struggle, and struggle, and struggle, and then fail?  There are exceptions to this rule, of course, such as the teams behind James Madison’s Montpelier, the Valentine, the International Tennis Hall of Fame, the Newport Restoration Foundation, and the White House Historical Association, and also among individuals, who inevitably bear the greatest burden of board committee work, but those exceptions strongly appear to prove the rule.

The main point I want to make in this not-so-thinly veiled rant is for cultural administrators of any sort, from public historians to museum directors to faculty members: Beware of the board. And get to know all you can about the ins and outs of good board governance.  If you are in a position to evaluate a cultural institution, start with the very board to whom you do or might report.  How informed are they about their roles?  How is the board organized?  What is its members’ understanding of the institution’s mission statement and strategic direction?  How much do they know about the organization’s financial position?  And, almost above all, are they willing to change if change is demonstrably needed?  Then ask yourself whether it is therefore a problem board, one that will do more harm than good in the long run, unless you first go through a rigorous process of board education (which is no fun, trust me) or, in more drastic but very real circumstances, you look at having it completely dissolved and then reconstituted along more practical and responsible lines.

In the end, as stories about failing institutions zip through the media, and senior administrators and program directors come under censure for their individual shortcomings, look closely at what you don’t see, because they hide in plain site.  Look at the people who actually hold the responsibility for protecting an institution’s best interests—which usually means to do whatever it takes to keep its legacy alive.  Look at the boards, for what your organization does not know about them could kill it.

4 thoughts on “Board to Death: A Mild Reflection on the Quiet Threat to Cultural Institutions

      1. Thanks. Yours are kind words in a weary world. As for all public historians, that seems selfish. We’d be happy with half of them – and even then only the half that aren’t yet beyond help.

  1. Thank you Dr. Stoermer! It never occurred to me that the Board of Sweet Briar College would not have the best interests of the College in mind, and would not, at every turn, be acting in the best interest of the College and all of her stakeholders. We now know that poor decisions made repeatedly. Moreover, there is evidence that those decisions were potentially the result of malfeasance, not simply bad business decisions. This has been a tremendous wake-up call for me and thousands of others who love the institution so dearly. When we save our alma mater, we will never again leave the Board unchecked. Anyone who cares about an institution should be sure to monitor the Board’s activities closely!

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